Edward David Anderson is an American songwriter and rock & roll veteran who spent his formative years fronting the revered Midwest band, Backyard Tire Fire. Known for infectious melodies and memorable messages he penned 8 albums for the band and played countless shows across the US and Canada.
Since their hiatus in 2011 EDA has continued to write and tour as a solo artist. His delivery in the live setting is both dynamic and impactful showcasing a natural prowess on banjo, acoustic/cigar box guitars and foot percussion. He defines his sound as Black Dirt Music. "Songs about people and places, about life and love and loss. It's roots music, cultivated in the fertile soil of the Midwest."
His 2014 debut, Lies & Wishes (produced by Steve Berlin of Los Lobos) was lauded "a supurb solo effort” by No Depression while David Dye (NPR World Cafe) praised Lower Alabama: The Loxley Sessions as "a wonderfully soulful record."
Poised to release his newest collection of songs, EDA made the album that's been on his mind for some time now. “I've always wanted to make a record in Muscle Shoals. But it needed to be the right batch of songs with the right people,” he recalls. And Chasing Butterflies is just that. A beautifully crafted recording of a writer in his prime.
Look for Chasing Butterflies out on Black Dirt Records October 19th.
LOWER ALABAMA: THE LOXLEY SESSIONS
Music, by its nature, is a migratory creature. It moves as it moves, often powerfully, through people and places, communities and cultures, created and carried on currents of electricity and air. Edward David Anderson is one of its modern makers, a rock and roll veteran from the cornfields of Illinois, who went into the woods of coastal Alabama and found musical serendipity, emerging with Lower Alabama: The Loxley Sessions—a timeless, unvarnished beauty of an album.
“I had no idea Anthony Crawford even lived in LA (Lower Alabama), let alone minutes from our RV park,” Anderson says, still somewhat in disbelief. Indeed, it was during his inaugural exodus from the brutal Midwestern winters to the Gulf Shores of the Cotton State that Anderson discovered his neighbor, of sorts, was Crawford—a producer, multi-instrumentalist, and former sideman to Neil Young. “I sort of couldn’t believe it, you know? I knew this guy, I knew who he was. I had seen him play with Neil and was familiar with his work’” His next thought was as certain as sunrise. “I need to record some songs with him.”
Admiral Bean Studio rests comfortably on the 2,400-acre property Crawford owns and makes his home on in Loxley, Alabama. It’s a retreat where music is still sung, and played with instruments, by real people, not constructed by computer programs, and provided the ideal setting and collaborator for what became Anderson’s follow-up to his solo debut Lies & Wishes. “This record is my experiences and my songs, given the Crawford treatment,” says Anderson. “Even the tunes that existed long before the album was recorded have a Lower Alabama feel, and were heavily affected by Anthony.”
For his part, Crawford, in addition to producing, played a multitude of instruments on the sessions, but felt less of a challenge shaping the material than easing Anderson into a role of simply singing and playing. “I wanted him to show up and play for me his best performances, play the song live, let me record his guitar and his vocal. Let me get the real Edward David Anderson to start with so that everything else after that could be made of truth,” recalls Crawford. “He let go, and as a result, we have something very special.”
The subsequent nine-song collection floats melodiously on rivers of fiddle and clouds of pedal steel, on gentle acoustic guitars and hints of piano, dusted with some ghostly guitar from Will Kimbrough and striking vocal harmony from Crawford’s wife, singer Savana Lee. Listen to the opening strains of “Firefly” and be transported to a lonesome highway, the endless fields stretching out ahead. There’s “Sentimental in the Morning,” a porch shuffle that knows it can rock with the best of them, but displays self-restraint, or the classic outlaw storytelling of “Jimmy and Bob and Jack” that holds on to his Chi-Town accent, but rolls out like Southern Gothic. Hear the easy breeze of “Sadness” rustle through the trees, having picked up a bayou sensibility as it blows through, or the devastating honesty of “Cried My Eyes Dry,” a song of loss and carrying on.
There’s an alignment that happens when great albums are made. Cosmic, or maybe karmic—a reaction chemical, physical, emotional, spiritual, when an artist and his art find kindred souls of expression, even sweeter when it arrives unexpectedly. Last fall when the cold crept in to central Illinois, his migration to his Southern sanctuary calling, Edward David Anderson didn’t know his next album was waiting for him in the woods of Lower Alabama.
Lucky for us he found it. And it was not just another session, not just another record, but a moment to be preserved, to be treasured, when his voice was as true as it was seasoned, his words as intimate as they were universal.
Chasing Butterflies, EDA (out Oct. 19, 2018)
Lower Alabama: The Loxley Sessions, EDA 2015
Lies & Wishes, EDA 2014
Low-Fi Goodness EP, EDA 2013
Magic Box EP, Magic Box 2013
Good to Be, Backyard Tire Fire 2010
The Places We Lived, Backyard Tire Fire 2008
Sick of Debt EP, Backyard Tire Fire 2008
Vagabonds and Hooligans, Backyard Tire Fire 2007
Skin & Bones EP, Backyard Tire Fire 2006
Bar Room Semantics, Backyard Tire Fire 2005
Backyard Tire Fire, Backyard Tire Fire 2005 (CD/DVD)
Live at the Georigia Theater, Backyard Tire Fire 2002
Days Turn to Months, Brother Jed 1999
Plush Velvet City, Brother Jed 1998
Brother Jed, Brother Jed 1996
*EDA is endorsed by: McKee Guitars, Vanstory Cigar Box Guitars & D'Addario Strings